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Basic Photography

Basic Techniques of PhotographyThe Ansel Adams Guide: Basic Techniques of Photography Newly revised and updated, an ultimate photography resource draws on the writings and images of Ansel Adams; presents current information on variable contrast papers, view and digital cameras, and the recent changes of the Advanced Photo System; and provides demonstration photographs and technical illustrations. Basic Photography.

Digital Photography For DummiesDigital Photography Just the Steps for Dummies (For Dummies S.) Presents readers with concise instructions on everything from choosing the right equipment to understanding the basics of shooting, editing, and printing or sharing photos-quickly and easily Addresses activities that are essential to success with the technology and shows readers how to shoot in specific situations like sporting events, edit with high-end tools, and restore photos digitally New, two-column interior layout reflects the no-nonsense approach to delivering material Features a 16-page color spread Covers how to take the best pictures with a digital camera, get them onto a PC, edit them, and share them as print copies or electronically. Basic Photography.

Basic Critical Theory for PhotographersBasic Critical Theory for Photographers Basic Critical Theory for Photographers generates discussion, thought and practical assignments around key debates in photography. Ashley la Grange avoids the trap of an elitist and purely academic approach to critical theory, taking a dual theoretical and practical approach when considering the issues. Key critical theory texts are clarified and shortened. La Grange avoids editorialising, letting the arguments develop as the writers had intended; it is the assignments which question each writer's approach and promote debate. This is the ideal book if you want to understand key debates in photography and have a ready-made structure within which to discuss and explore these fascinating issues. It is accessible to students, from high school to university level, but will also be of interest to the general reader and to those photographers whose training and work is concerned with the practical aspects of photography. An invaluable addition is the comprehensive glossary of terms and a substantial index that incorporates the classic texts, helping you to navigate your way through these un-indexed works. The book also contains useful information on photo-mechanical processes, explaining how a photograph can appear very differently, and as a result be interpreted differently, in different books.

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