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Landscape
Photography
Step-by-step
Digital Landscape Photography (Step-by-step Digital Photography
S.)
Step-by-Step Digital Landscape Photography focuses on all the
stages between image capture and output. The book describes
useful techniques for creating impressive landscape photographs
in straightforward detail, then shows how to scan your images
onto a computer and create great effects through software manipulation.
If you’re already a keen landscape photographer, you’ll
learn how to make your pictures more striking; if you’re
new to the field, it will give you all the professionals’
secrets for capturing great images.
First
Light: A Landscape Photographer's Art
Drawing on 20 years' experience, Joe Cornish, one of Britain's
most distinguished landscape photographers, has distilled the
key elements of his craft into a collection of thought-provoking
essays accompanied by a selection of his photographs. The subjects
range from his beloved North Yorkshire, where he now makes his
home, to the rocky canyons of the Colorado Plateau and from
the rugged Cornish coast to the rainforests of New Zealand's
Fjordland. They have been chosen to reflect the enormous range
of his work and to illustrate how he puts his working philosophy
into practice. The text accompanying each photograph describes
how the picture came to be taken and the considerations - light,
weather, timing, composition, which dictated the choice of viewpoint,
the selection of film and filters, and so on. Smaller images
illustrate alternative shots, or other, less successful treatments,
of the same subject or theme. Although full technical data for
each photograph is given, the real fascination of the book lies
in Joe Cornish's explanations of the thought process that went
into creating each of the photographs, many of which were captured
after careful planning, while others were created by taking
advantage of an unexpected opportunity or a moment of sudden
inspiration. These very personal accounts are full of practical
advice on subjects ranging from anticipating changes in the
weather to the use of filters in order to capture colour as
the eye sees it when, unfiltered, the film might show something
very different.
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